Another icon in the history of Chinese furniture is the wedding cabinet. A traditional gift given to the family of the groom by the bride’s family, it was the centrepiece of her dowry. As such, they were generally elaborate in their carvings and etchings, and often had a large central brass plate and locking bar. Today, they’re collector’s pieces and work well as storage closets and even drinks cabinets.
Like most considerations in Chinese-style interiors, history informs the path. Cloisonné is another ancient technique used for decorating pieces made from metal.
Metal wires are soldered to the form, such as a vase or piece of jewellery, in decorative patterns and then filled in with enamel, coloured glass or gem inlays resulting in a mosaic-like quality to the finished piece, although much more fine.
The delicate nature of cloisonné appealed to Chinese taste and by the 14th century was being used in China to decorate items such as vases and bowls. Today, you can expect to see at least one cloisonné piece in a Chinese interior, be it an ornament or a trinket box.
Stools are a staple in oriental room sets and one of the most iconic designs is the barrel-shaped Chinese garden stool. Originally, it was used in China purely in outdoor spaces.
Many Chinese homes place emphasis on the landscape and the courtyard or garden, but where this isn’t possible, elements of the outdoors were gradually brought inside. Or, even if the garden were visible, the garden stool moving into the home was a way to build a bridge between the indoors and outside world.
By the Song Dynasty, these stools were habitually being used inside and out, for seating and as a side table. Now, they’re available in carved wooden designs, as the traditional garden stool was made, and glazed stone or porcelain which were deemed more suitable for our interiors. Lattice work is not uncommon on stool designs either.