We have no strict curatorial remit – it was really about finding works that felt right. However a few loose themes emerged.
We liked the idea of having works by artists who have been very influential to younger artists, such as John Stezaker, Stephen Prina and John Baldessari. In reference to the portraits of esteemed members that historically hung on the club's walls, we wanted to play with contemporary notions of portraiture, such Allan McCollum's conceptual take and our room of George Condo paintings – an artist who paints a twisted cast of characters and inner psyches. And we wanted to play with the space itself. For example, where traditionally you would have had a grand chandelier over the staircase, artist Tomas Saraceno – whose heady works dream of sky-bourn utopias – selected a large hanging sculpture.